naga casino Des Moines Art Center to Demolish Work and Pay Land Artist $900,000
Updated:2025-02-20 13:28:56 Views:98
A celebrated artwork by the environmental artist Mary Miss will be demolished by the museum that commissioned it.naga casino
On Tuesday, the Des Moines Art Center reached an agreement with Miss, 80, to dismantle her sprawling outdoor installation, “Greenwood Pond: Double Site,” in exchange for $900,000, ending the lawsuit she filed against the museum last April seeking to save it.
The Des Moines Art Center invited Miss in the late 1980s to develop a site-specific work for a city-owned park. In late 2023, the museum told her that the installation — a network of curving walkways, cantilevered bridges and seating areas designed to encourage visitors to interact with the landscape — had become a safety hazard and was at risk of collapse. Replacing the degraded materials would cost $2 million to $2.6 million, a sum that it could not afford, the museum said.
Getting rid of the work, it turns out, is also quite expensive. In addition to paying Miss, the Des Moines Art Center has estimated it will cost as much as $350,okbet login000 to dismantle “Greenwood Pond: Double Site,” according to notes from the testimony by the museum’s director, Kelly Baum. That would bring the total cost of the resolution to $1.25 million (without factoring in lawyers’ fees).
The names of the students have not been made public. The family of the targeted student had said in a statement published on Friday in The Gettysburgian, the college newspaper, that their son became “the victim of a hate crime” when a teammate used a box cutter to etch a slur against Black people across their son’s chest at an informal swim team gathering on Sept. 6.
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quick hits“The settlement will end a breach of contract lawsuit filed by Miss on April 4, 2024, and allow the Des Moines Art Center to proceed with previously stated plans to remove the artwork in its entirety,” the museum said in a statement.
In an interview, Miss described her feelings about the resolution as “complicated.”
ImageThe plans over her artwork brought it back into the limelight. “Here, a work being destroyed is the thing that makes the work visible again,” Miss said.Credit...Lila Barth for The New York TimesWe are having trouble retrieving the article content.
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